Besides the House of Barnabas, there is another family to whom I owe a lot. And when I raise my "Vetrodrom", perhaps I will earn the right to see again near me and among old and new friends, people dear to me. I paint them as I see them in my imagination and exclusively for myself. It is impossible to impress the Valkyries if you are not on the battlefield. It is clear that the path to Valhalla is closed to me. And no one will bring me mead. The sweet life is expensive.
I was building a house on the territory of a yacht club and I didn't have enough money for real paints and canvases. But I had acrylic white, Polish toners and leftover OSB panels. I added toner to the white, choosing the right color, sanded the panels for better adhesion of the paint to the wood and life acquired a colorful filling during breaks
Puppies, acrilic on wood, 50 x 40 cm. In a private collection.
Anya's Dreams, Study N1, acrilic on wood, 60 x 180 cm. £ 450 .
Anya's Dreams, Study N2, acrilic on wood, 60 x 180 cm. £ 450 .
Mistress of the seas, acrilic on wood, 65 x 80 cm. In a private collection.
Feeding the Angel of War, acrilic on wood, 65 x 80 cm. In a private collection.
Sculptor of happiness and painter of days, do you see—a butterfly, lostin the yellow birch leaves, bringing life with fleeting flashes of light and shadow to their glow the day before frost?
Kvitrulya, Study N1, acrilic on wood, 65 x 80 cm. In a private collection.
Kvitrulya, Study N2, acrilic on wood, 40 x 50 cm. In a private collection.
Kvitrulya, Study N3, acrilic on wood, 35 x 45 cm. In a private collection.
Kvitrulya, Study N4, acrilic on wood, 65 x 80 cm. In a private collection.
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