"Art for the Sake of Revival" is an innovative project dedicated to the revival of the windsurfing club by the power of art. The gallery presents my paintings as creative capital, accumulated within the limits of a refugee's means, in the hope that it can be exchanged for new sports equipment and bring back to life the school almost destroyed by the war. All proceeds will go to the restoration of the Vetrodrom club after the war in Ukraine, and those who expressed interest not only in purchasing a painting, but also in participating in the club's life, in addition to the work of art, as a token of gratitude for the desire to support me, will have the opportunity to take the basic course of study with free accommodation in the guest room of the club house as an honorary guest. Thus, thanks to your support and joint efforts, we will revive the school and organize an international club. Your purchase will be accompanied by a gift certificate for the basic course of windfoiling training in the Ukrainian village of Old Saltov.
I painted these pictures in series until quartets were formed, and the pictures included in them I called etudes. Quartets will be exhibited and supplemented by me with author's copies instead of sold etudes or supplemented with new etudes if the previous ones were ordered with the right of unique possession. The right of unique possession is discussed on the principles of mutual agreement. Orders with the right of unique possession apply both to quartets as a whole and to etudes. Prices for etudes are listed for sale without the right of unique possession, i.e. the author has the right to replace the sold etude with the similar author's copy to replenish the quartet.
This site is just a statement of the fact of the unnoticeable life of the most modest artist in the world of dashing self-presentations, but not for fools. A creative report of a troublemaker of the ordinary, poorly adapted to family life. The author of the performance Vetrodrom, which has lasted 45 years without a change of the main character with a rotation of performers up to the third generation. A proud self-proclaimed gatherer of a fleeting flock of winged loners. An eternal ploughman of water, rightfully reaping what he sowed and wintering on other people's bread. Who fell in love with Bristol for all its unusualness and for the fact that it accepted us as human beings. My toast from the one who did not lift a finger for the benefit of its well-being.
Bandleader of the happening more for himself than for those who understand, who all his life painted the same, but each time a different living picture with sails on the horizon. A kind of uninvited colorizer of reality, expelled in his old age from his habitat by the fosterling of a double-headed eagle, a virtuoso ripper of takeoffs. Now I am under the protection of a Welsh dragon from a smug vandal of my productions, from a godless destroyer of a shaky picture, to which all normal people in my homeland had far from an episodic relationship. Of course, he will get his. And for my, albeit left-wing, incinerated windsurfing school, too. God is not a sucker. But a landscape without a sail evokes too monotonous thoughts about God. Thanks to these wings over the water, I surrounded myself with beautiful people, was proud of them and shared my festive world unthinkable without you, my responsive and receptive like-minded people.
The picture remained unfinished. Maybe not for an era, but for another ten years of revival, I hope, at least. I have not admired you enough, I have not rejoiced enough. After turning seventy, I decided to muster up the courage and just in case write who you were dealing with. I am not the only one who is self-proclaimed and who sacredly believes in my right to a fleeting rainbow contribution, disturbing ordinary motives with artistic intervention, a lonely sail. Our creativity is fleeting and, in my opinion, such a form of self-expression is the most humane of all possible arts and the most self-sufficient.
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